Inside the stamp, the entire surface is filled with monochrome dark illustrations etched into the background like fine engraving. The illustrations must depict 5–8 of the most universally iconic and recognizable objects, characters, vehicles, symbols, and locations from [MOVIE] — chosen specifically because anyone who has seen the film would instantly recognize them. All arranged loosely across the full width of the stamp with generous spacing. Detailed technical engraving style — only outlines and fine internal linework, no fills, high contrast against the background.
“把推进乡村全面振兴作为新时代新征程‘三农’工作的总抓手”“一步一个脚印，把乡村全面振兴的美好蓝图变为现实，为实现农业农村现代化、建设农业强国奠定基础”……，更多细节参见51吃瓜
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refining strategy, and maximizing OSE's positive，更多细节参见夫子
这份极致的艺术表达并未给塔可夫斯基带来预期中的荣誉。在当届戛纳电影节上，塔可夫斯基最终与布列松共同获得最佳导演奖，与期盼多年的金棕榈奖失之交臂。塔可夫斯基在日记中详细记录了电影节上的种种遭遇，他认定这场惜败是苏联当局的刻意操作，是叶尔马什任命苏联导演邦达尔丘克担任评委一手策划的结果：“邦达尔丘克一直在跟《乡愁》较劲。显然，他被派到戛纳就是为了否定这部电影。”字里行间满是失望和愤怒。也正是这场戛纳的失意，击碎了他回国继续电影创作的信心，让他在日记中写下了那个艰难的决定：永远不再返回苏联。